Views & Reviews Wagner – Here, there & everywhere, by Terence Watson Read More Minnie Biggs attended the rehearsal and performance of ‘Die Walküre’, December 2024 Read More Report on Bayreuth 2024, by Ross Whitelaw Read More Impressions of the performance of ‘Tristan und Isolde’ at Copenhagen Opera House on 2 June 2024, by June Donsworth Read More Marie’s pilgrimage, May 2024 Read More Three impressions: The Brisbane Ring, December 2023, by Terence Watson, Minnie Biggs & Mike Day Read More Thoughts on the Brisbane Ring 2023, by Peter Bassett Read More Review: Simone Young’s ‘Das Rheingold’ an experience, 16 November 2023, by Minnie Biggs Read More ‘Das Rheingold’ – Another point of view of the ROH live broadcast, October 2023, by Minnie Biggs Read More Review: ‘Isolde & Tristan’, Sport for Jove Theatre, at the Old Fitzroy Theatre, September 2023, by Terence Watson Read More Reviews: Melbourne Opera’s Bendigo Ring Cycle, March – April 2023 Read More Reviews: Melbourne Opera’s ‘Siegfried in Concert’, 27 September 2022 Read More Review: ‘An accidental Valkyrie in Helsinki’, August-September 2022, by The Hon Justice François Kunc Read More A tale of two rings 2022: Scenography at Bayreuth and Berlin, by Esteban Insausti Read More Reactions and Observations: The Bayreuth Ring 2022, by Robert Mitchell Read More Bayreuth 2022: Notes, made immediately after each performance, by Ross Whitelaw Read More Reflections on the Leipzig Wagner Festival, 20 June – 14 July 2022, by Terry & Julie Clarke Read More Review: ‘Die Meistersinger von Nürnberg’, Deutsche Oper Berlin, 2 July 2022, by Jenny Ferns Read More Report: Leipzig’s Wagner 22 Festival, June-July 2022, by Terence Watson Read More Review: ‘Lohengrin’, Opera Australia, Melbourne, 21 & 24 May 2022, by Terence Watson Read More Brett Johnson recollects Bayreuth 2009 Read More Reflections on Melbourne Opera’s ‘Die Walküre’, February 2022, by Esteban Insausti Read More Some very personal comments on the outstanding production of ‘Die Walküre’ by Melbourne Opera, February 2022, by Minnie Biggs Read More Review: Melbourne Opera’s ‘Die Walküre’: A Wagnerian Peak Conquered, 11 February 2022, by Terence Watson Read More Review: zoom interview with Lise Lindstrom, 3 February 2021, by Ross Whitelaw Read More Review: ‘Das Rheingold’, Melbourne Opera, 3 February 2021 & livestream, by By Terence Watson Read More Report: The Opera Foundation for Young Australians 2020 Winners Concert, by Leona Geeves Read More View: When a dozen Wagners in a quarter (Feb – May 2019) is barely enough, by Esteban Insausti & Agnes Brejzek Read More Review of the reviews of Alex Ross’ ‘Wagnerism: Art and politics in the shadow of music’, by Minnie Biggs Read More Reflections by Cameron Menzies Read More Review: The Ring on a Lap, Opera North, by Minnie Biggs Read More View: Too big to fail, by Antony Ernst Read More Book review: Simon Callow’s ‘Being Wagner, the Triumph of the will’, by Roger Cruikshank Read More Review: ‘Die Walküre’, Singapore, 5 January 2020, by Ross Whitelaw Read More Review: Bayreuth 2019, by Rhodri Bradley Jones & Dr Lourdes St George Read More Review: My August 2019 trip, by John Banner Read More Review: ‘Die Meistersinger von Nürnberg’, at Munchner Opernfestspiele – 27 July 2019, by Jenny Ferns Read More Review: Four days in Budapest, June 2019, by Terry Clarke Read More Review: ‘Das Reingold’, at Longborough Festival Opera, June 2019, by Terry Clarke Read More Review: The Met Opera Ring Cycle, April – May 2019, by Minnie Biggs Read More Review: The Metropolitan Ring Cycle, April – May 2019, by Minnie Biggs Read More Review: ‘Die Fliegende Holländer’, Malmö, Sweden, 27 & 31 March 2019, by Robert Mitchell Read More Review: ‘Parsifal’, Victorian Opera, 20 February 2019, by Christopher McCabe Read More Review: ‘Parsifal’, Victorian Opera, 20, 22 & 24 February 2019, by Terence Watson Read More Reviews: ‘Der Fliegende Holländer’, Melbourne Opera, 3, 5 & 7 February 2019 Read More Review: A (very) personal report on the San Francisco Ring Cycle, 2018, by Minnie Biggs Read More Review: ‘Dresden’, Sydney, June 2018, by Terence Watson Read More Reviews: WASO’s ‘Tristan und Isolde’, August 2018 Read More Review: ‘Die Meistersinger von Nürnberg’ in Beijing: A great experience marred by political correctness, 2018, by Colin Mackerras Read More My trip to Germany, 2018, by Mailis Wakeham Read More Review: ‘Wahnfried’, the opera, May 2018, by Terry & Julie Clarke Read More Review: The Ring in Karlsruhe, May 2018, by Terry & Julie Clarke Read More Review: ‘Parsifal’ at the Bastille, May 2018, by Michael Chesterman Read More Film reviews: ‘The Wagner Family’, 2018 Read More Reviews: The Wagner version of ‘Iphigenia in Aulis’ and the original Gluck version, 2018 Read More Film reviews: ‘Wagner’s Jews’ by Hilan Warshaw, 2018 Read More Review: The challenges of ‘Tristan und Isolde’, Melbourne, February 2018, by Terence Watson Read More Review: ‘You will not play Wagner’ by Victor Gordon, Sydney, May 2017, by Terence Watson Read More Review: New opera ‘Wahnfried’ composed by Avner Dorman, 2017, by Terence Watson Read More Review: ‘Lohengrin’, Melbourne Opera, August 2017, by Michael Chesterman Read More Report from Bayreuth, August 2017, by Jenny Ferns Read More Review: The Opera Australia Concert Performances of ‘Parsifal’ – 10, 12 & 14 August 2017, Colleen Chesterman Read More Report from Berlin: Wieland and Wagner Symposium and some Music-drama + opera, November 2017, by Esteban Insausti Read More Review: ‘Lohengrin’, Dresden Semperoper, opening night, May 2016, by Richard Mason Read More Review: ‘Tannhäuser’ in Melbourne, August 2016 – Who knew!, by Terence Watson Read More Review: Wagner operas in the US and Germany, May 2016, by Colleen & Michael Chesterton Read More Review: ‘Das Rheingold’, Chicago Lyric Opera – the beginning of a witty Ring Cycle, October 2016, by Terence Watson Read More Review: ‘Tristan und Isolde’, Hobart, November 2016, by Colleen Chesterton Read More Review: The Melbourne Ring Cycle, the 2016 Revival, by Douglas Sturkey Read More Review: ‘Tristan und Isolde’ at the New York Metropolitan Opera, 2016, by Minnie Biggs Read More Reviews: Wagner in England, May & June 2016, by June Donsworth Read More Review: Triumphant reprise of the Stemme/Skelton ‘Tristan und Isolde’ in Hobart, Tasmania, November 2016, by By Colleen Chesterman Read More The Leipzig Ring Cycle, 2016 – Some thoughts, by Alviro Olave Read More Review: Wagner’s moments in Germany, 2015, by Colleen & Michael Chesterman Read More Review: ‘Der Fliegende Holländer’, Victorian Opera, February 2015, by Terence Watson Read More Review: The Ring in Bucolic Austrian Tyrol, July 2015, by June Donsworth Read More Book review: ‘Christian Thielemann, My life with Wagner’, 2015, Colin Baskerville Read More Review: ‘Sensory Overload’ – Frank Castorf’s Ring Cycle, the year after, 2014, by Jim Leigh Read More Review: ‘Tristan und Isolde’, Berlin Staatsoper, Schiller Theatre, Berlin, December 2014, by David May Read More Review: ‘Wotan, Erwache! Exhibition’ by Samuel Galileo Quinteros at Galerie Pompom, 25 June – 20 July 2014, by By Terence Watson Read More Review: The Sophia Ring, July 2014, by Terry & Julie Clarke Read More Review: August in the USA – Glimmerglass’s ‘Der Fliegende Holländer’, August 2013, by Colleen Chesterman Read More Review: Armfield’s poor – not cheap – Theatre Ring cycle, 2013, by Terence Watson Read More Review: The Ring, Opera Australia, Melbourne, 2013, by Richard Mason Read More Review: The follies of Gods in decline, 2013, by Katie French Read More Review; ‘Parsifal’, Metropolitan Opera, March 2013, by Max Grubb Read More Review: The Longborough Ring, 2013, by Terry & Julie Clarke Read More Review: Ring Cycle in Riga, Latvia, June 2013, by Roger Cruickshank Read More Review: The Ring at La Scala, June 2013, Liz Jacka, Colleen & Michael Chesterman, & Lyn Longfoot Read More Book Review: ‘Music in 1853 – The biography of a year’ by Hugh Macdonald, 2013, by Colleen Chesterman Read More Review: ‘Die Feen’, Leipzig Opera, May 2013, by Barbara Brady Read More Book Review: ‘Wagner and Venice Fictionalised’ by John W Barker, 2013, by Terence Watson Read More Two book reviews, 2013, by Terence Watson Read More Book Reviews: Investigating Wagner and Women: Two significant contributions, 2013, by Colleen Chesterman Read More Book review: ‘Great, grand & famous opera houses … where art and drama meet’, 2013, by Mike Day Read More Afterthoughts from the Armfield Ring, Melbourne, 2013, by Roger Cruickshank Read More Review: Teatro Colón Ring, 2012, by Lourdes St George Read More Review: Metropolitan Opera’s Ring Cycle – Second Cycle, April-May 2012 , Terence Watson Read More Review: ‘Götterdämmerung’ In The Cotswolds, 2012, by Terry Clarke Read More Review: Travelling North: Succumbing to the Lure of the Rhinemaidens, 2012, by Katie French Read More Review: Simone Young’s Brisbane-Hamburg Opera Festival, 2012, by Colleen Chesterman & Terence Watson Read More Response: ‘1813 Wagner & Verdi: A Celebration’ By Peter Bassett, 2012, by Katie French Read More Review: ‘Siegfried’ – Metropolitan Opera, 1 December 2011 -“This Ring Is Cursed”, by Richard Mason Read More Review: ‘Die Meistersinger’ at Glyndebourne, June 2011, by Colleen & Michael Chesterman, Charles Manning Read More Review: A Triumphant ‘Ring’ For San Francisco, 2011, by Katie French Read More Review: San Francisco Ring Cycle (Cycle 2), 2011, by Max Grubb Read More Reviews: ‘Das Rheingold’, Metropolitan Opera – Live, & Sydney Screening, 2010, by Richard Mason, John Collis & Ian Cowan Read More Review: Redemption In Ten Dimensions, Stefan Herheim’s Bayreuth, by ‘Parsifal’, 2010, by Jim Leigh Read More Review: ‘Tannhäuser’ Und Der Sängerkrieg Auf Wartburg, June 2010, by Richard Mason Read More Review: A Revolutionary Ring In Los Angeles, 2010, by Graham Bruce Read More Review: ‘Die Meistersinger von Nürnberg’, Bayreuth, 2009, by Terence Watson Read More Review: The ‘Baptism of Fire’ documentary about Katherina Wagner’s ‘Die Meistersinger’, 2009, by Robert Lloy Read More “Katharina Wagner Should Be Shot” – A Personal Reaction to Meistersinger in the Flesh, 2009, by Patricia Baillie Read More Review: ‘Der Fliegende Holländer’, Adelaide, 2009, by Terence Watson Read More Review: A Polished Vienna Ring, 2009, by Jan Bowen Read More Book Review: ‘Winnie and Wolf’ by A.N. Wilson, 2009, by Colleen Chesterman Read More ‘Parsifal’ – A personal view, 1984, by Trevor O’Brien Read More
Impressions of the performance of ‘Tristan und Isolde’ at Copenhagen Opera House on 2 June 2024, by June Donsworth Read More
Three impressions: The Brisbane Ring, December 2023, by Terence Watson, Minnie Biggs & Mike Day Read More
‘Das Rheingold’ – Another point of view of the ROH live broadcast, October 2023, by Minnie Biggs Read More
Review: ‘Isolde & Tristan’, Sport for Jove Theatre, at the Old Fitzroy Theatre, September 2023, by Terence Watson Read More
Review: ‘An accidental Valkyrie in Helsinki’, August-September 2022, by The Hon Justice François Kunc Read More
Reflections on the Leipzig Wagner Festival, 20 June – 14 July 2022, by Terry & Julie Clarke Read More
Review: ‘Die Meistersinger von Nürnberg’, Deutsche Oper Berlin, 2 July 2022, by Jenny Ferns Read More
Some very personal comments on the outstanding production of ‘Die Walküre’ by Melbourne Opera, February 2022, by Minnie Biggs Read More
Review: Melbourne Opera’s ‘Die Walküre’: A Wagnerian Peak Conquered, 11 February 2022, by Terence Watson Read More
Review: ‘Das Rheingold’, Melbourne Opera, 3 February 2021 & livestream, by By Terence Watson Read More
View: When a dozen Wagners in a quarter (Feb – May 2019) is barely enough, by Esteban Insausti & Agnes Brejzek Read More
Review of the reviews of Alex Ross’ ‘Wagnerism: Art and politics in the shadow of music’, by Minnie Biggs Read More
Review: ‘Die Meistersinger von Nürnberg’, at Munchner Opernfestspiele – 27 July 2019, by Jenny Ferns Read More
Review: ‘Die Meistersinger von Nürnberg’ in Beijing: A great experience marred by political correctness, 2018, by Colin Mackerras Read More
Review: The challenges of ‘Tristan und Isolde’, Melbourne, February 2018, by Terence Watson Read More
Review: The Opera Australia Concert Performances of ‘Parsifal’ – 10, 12 & 14 August 2017, Colleen Chesterman Read More
Report from Berlin: Wieland and Wagner Symposium and some Music-drama + opera, November 2017, by Esteban Insausti Read More
Review: ‘Das Rheingold’, Chicago Lyric Opera – the beginning of a witty Ring Cycle, October 2016, by Terence Watson Read More
Review: Triumphant reprise of the Stemme/Skelton ‘Tristan und Isolde’ in Hobart, Tasmania, November 2016, by By Colleen Chesterman Read More
Review: ‘Sensory Overload’ – Frank Castorf’s Ring Cycle, the year after, 2014, by Jim Leigh Read More
Review: ‘Tristan und Isolde’, Berlin Staatsoper, Schiller Theatre, Berlin, December 2014, by David May Read More
Review: ‘Wotan, Erwache! Exhibition’ by Samuel Galileo Quinteros at Galerie Pompom, 25 June – 20 July 2014, by By Terence Watson Read More
Review: August in the USA – Glimmerglass’s ‘Der Fliegende Holländer’, August 2013, by Colleen Chesterman Read More
Review: The Ring at La Scala, June 2013, Liz Jacka, Colleen & Michael Chesterman, & Lyn Longfoot Read More
Book Review: ‘Music in 1853 – The biography of a year’ by Hugh Macdonald, 2013, by Colleen Chesterman Read More
Book Reviews: Investigating Wagner and Women: Two significant contributions, 2013, by Colleen Chesterman Read More
Book review: ‘Great, grand & famous opera houses … where art and drama meet’, 2013, by Mike Day Read More
Review: Travelling North: Succumbing to the Lure of the Rhinemaidens, 2012, by Katie French Read More
Review: Simone Young’s Brisbane-Hamburg Opera Festival, 2012, by Colleen Chesterman & Terence Watson Read More
Review: ‘Siegfried’ – Metropolitan Opera, 1 December 2011 -“This Ring Is Cursed”, by Richard Mason Read More
Review: ‘Die Meistersinger’ at Glyndebourne, June 2011, by Colleen & Michael Chesterman, Charles Manning Read More
Reviews: ‘Das Rheingold’, Metropolitan Opera – Live, & Sydney Screening, 2010, by Richard Mason, John Collis & Ian Cowan Read More
Review: Redemption In Ten Dimensions, Stefan Herheim’s Bayreuth, by ‘Parsifal’, 2010, by Jim Leigh Read More
Review: The ‘Baptism of Fire’ documentary about Katherina Wagner’s ‘Die Meistersinger’, 2009, by Robert Lloy Read More
“Katharina Wagner Should Be Shot” – A Personal Reaction to Meistersinger in the Flesh, 2009, by Patricia Baillie Read More